INTERNATIONAL REVIEW OF MODERNISM
ISSUE ONE, FALL/WINTER, 1997
CONTENTS:
Adams, Hazard. The Book of Yeats’ Vision: Romantic Modernism and Antithetical Tradition (Ann Arbor: University of Michigan Press, 1996). Reviewed by Miranda Hickman, University of Michigan.
Arata, Stephen. Fictions of Loss in the Victorian fin de siecle (New York: Cambridge University Press, 1996). Reviewed by Johanna M. Smith, University of Texas-Arlington.
Blum, Cinzia Sartini. The Other Modernism: F. T. Marinetti’s Futurist Fiction of Power (Berkeley: University of California Press, 1996). Reviewed by Luca Somigli, University of Toronto.
Bohn, Willard. Apollinaire and the International Avant-Garde (Albany: State University of New York Press, 1996). Reviewed by James E. Housefield, California State University-Hayward.
Dettmar, Kevin J. H. and Stephen Watt, eds. Marketing Modernisms: Self-Promotion, Canonization, and Rereading (Ann Arbor: University of Michigan Press, 1996). Reviewed by Miranda Hickman, University of Michigan.
Froula, Christine. Modernism’s Body: Sex, Culture, and Joyce (New York: Columbia University Press, 1996). Reviewed by Laura Doyle, University of Massachusetts.
Gillespie, Michael Patrick. Oscar Wilde and the Poetics of Ambiguity (Gainesville: University Press of Florida, 1997). Reviewed by Kelly Anspaugh, Ohio State University-Lima.
Harding, James M. Adorno and "A Writing of the Ruins": Essays on Modern Aesthetics and Anglo-American Literature and Culture (Albany: State University of New York Press, 1996). Reviewed by Karla Schulz, University of Oregon.
Hewitt, Andrew. Political Inversions: Homosexuality, Fascism & the Modernist Imaginary (Stanford: Stanford University Press, 1996). Reviewed by Laura Frost, CUNY.
Hochman, Elaine. Bauhaus: Crucible of Modernism New York: Fromm International, 1997). Reviewed by Hans R. Morgenthaler, University of Colorado at Boulder.
Jelavich, Peter. Munich and Theatrical Modernism: Politics, Playwriting, and Performance, 1890-1914 (Cambridge: Harvard University Press, 1996). Reviewed by Christine Kiebuzinska, Virginia Polytechnic State University.
Jensen, Robert. Marketing Modernism in Fin-de-Siecle Europe (Princeton: Princeton University Press, 1997). Reviewed by Stephen Arata, University of Virginia.
Krauss, Karoline. Kafka’s K. Versus the Castle: The Self and the Other (Peter Lang Publishing, 1996). Reviewed by Kurt Fickert, Wittenberg University.
Kristeva, Julia. Time & Sense: Proust and the Experience of Literature (New York: Columbia University Press, 1996). Reviewed by Donald M. Brown, Princeton University.
Kujundzic, Dragan. The Returns of History: Russian Nietzscheans After Modernity (Albany: State University of New York Press, 1996). Reviewed by Eliot Borenstein, New York University.
Linder, Ann P. Princes of the Trenches: Narrating the German Experience of the First World War (Columbia SC: Camden House, 1996). Reviewed by Scott Denham, Davidson College.
Marinetti, F. T. Selected Poems and Related Prose (New Haven: Yale University Press, 1997). Reviewed by David Clippinger, Pennsylvania State University.
May, Brian. The Modernist as Pragmatist: E. M. Forster and the Fate of Liberalism (Columbia: University of Missouri Press, 1996). Reviewed by Frank C. Manista, Michigan State University.
Miller, Jane E. Rebel Women: Feminism, Modernism, and the Edwardian Novel (Chicago: University of Chicago Press, 1997). Reviewed by Carol Siegel, Washington State University.
Moran, Patricia. Word of Mouth: Body Language in Katherine Mansfield and Virginia Woolf (Charlottesville: University Press of Virginia, 1997). Reviewed by Christa Zorn, Indiana University Southeast.
Nevin, Thomas R. Ernst Junger and Germany: Into the Abyss, 1914-1945 (Durham NC: Duke University Press, 1996). Reviewed by Elliot Neaman, University of San Francisco.
Rabate, Jean-Michel. The Ghosts of Modernity (Gainesville: University Press of Florida, 1997). Reviewed by Thomas Orange, University of Western Ontario.
Rado, Lisa, ed. Modernism, Gender, and Culture: A Cultural Studies Approach (Hamden CT: Garland, 1997). Reviewed by Johanna M. Smith, University of Texas-Arlington.
Reid, Panthea. Art and Affection: A Life of Virginia Woolf (New York: Oxford University Press, 1996). Reviewed by Jessica Berman, University of Maryland-Baltimore County.
Sidnell, Michael. Yeats’s Poetry and Poetics (New York: St. Martin’s Press, 1996). Reviewed by Dermot McCarthy, Huron College, Ontario.
Soufas, C. Christopher. Audience and Authority in the Modernist Theater of Federico Garcia Lorca (Tuscaloosa: University of Alabama Press, 1996). Reviewed by Candela Newton, Wake Forest University.
Spector, Jack J. Surrealist Art and Writing 1919/39 (Cambridge: Cambridge University Press, 1996). Reviewed by Katharine Conley, Dartmouth.
Stansky, Peter. On or About December 1910: Early Bloomsbury and Its Intimate World (Cambridge: Harvard University Press, 1996). Reviewed by John X. Cooper, University of British Columbia.
Treitel, Ilona. The Dangers of Interpretation: Art and Artists in Henry James and Thomas Mann (Hamden CT: Garland, 1997). Reviewed by Ted Billy, St. Mary’s College.
Weir, David. Decadence and the Making of Modernism (Amherst: University of Massachusetts Press, 1996). Reviewed by Suzanne Nalbantian, Long Island University.
Reinterpreting Picasso and Portraiture: Rubin's Reliance on the Recognizable. Review-article by Rachel Arauz, University of Pennsylvania.